T
|
he architecture of the staircase combines
form and function, upper and lower space. It can represent power or status, or
symbolise spiritual elevation and the climb to knowledge.
We
showcase spectacular staircases featured in a new book published by Thames
& Hudson - The Staircase: The Architecture of Ascent.
Infinity and
beyond
The steps of the Toltec-Maya pyramid at
Chichen Itza, Mexico are an early example of the simple, straight-flight
staircase - the ancestor of all stair design. Appearing to stretch up to the
sky, this style of staircase came to symbolise an ascent to heaven and
infinity, and has captured artists’ imaginations from the Odessa Steps in
Eisenstein’s film Battleship Potemkin to the steps in Orson Welles’s The Trial.
Let there be
light
The
‘lantern’ at the dome of a staircase is an important design feature — allowing
the light to stream in. The view shown here of the lantern of the chateau of
Chambord in the Loire, France, shows the flat ceiling embellished with
coffering. Flanking the large windows are eight niches intended to hold
statues. The chateau marks a high point in the development of the staircase,
illustrating the Renaissance architects’ fascination with the spiral structure
around an open space.
Elevated
circles
The upper part of the helix staircase of the
Villa Farnese at Caprarola, Lazio, built in 1559, makes a grand statement.
Architect Jacopo Vignola’s design was a blend of an Italina palazzo, a villa
and a French chateau. The monumental staircase rises to a third floor and is
supported by 30 pairs of Doric, Ionic and Corinthian columns.
High and
mighty
The spirit of the Baroque emerges in the
monumental staircase of the Palazzo Canossa in Mantua, Lombardy, built in the
1600s for the Gonzaga family, who ruled that part of northern Italy from the
14th to the 18th Centuries. The figures that greet the visitor on the landing
include two large hounds: dogs were the emblem of the powerful family.
Stairway to
heaven
The elegance of French architecture in the
Age of Enlightenment is typified by the elliptical spiral staircase at the
Abbey of Prémontré in the Aisne, built in the first half of the 17th Century.
Architects of the time understood the mystical mood set by light on stone and
tapering shadows on steps.
High drama
The palaces of Germany and Austria show
German Baroque at its most dramatic and rich. At the Würzburg Residenz –
commissioned by the city’s powerful dynasty of prince-bishops– the ceiling is
covered in a fresco by Venetian artist Giambattista Tiepolo depicting the four
corners of the earth above the great staircase.
Allusions of
grandeur
At Augustusburg Castle in Brühl, near
Cologne, the architect Balthasar Neumann built one of the most extraordinary of
all German Rococo staircases. The architect, in keeping with the style of the
time, was concerned less with the beauty of the individual materials than with
the overall visual effect when they were brought together, and most of the
marble is in fact imitation. No expense was spared, though, on the
trompe-l’oeil paintings, created by the most outstanding artists of the day.
High society
The austerely elegant staircase at Seaton
Delaval Hall in Northumberland in the UK is inspired by the Palladian style –
grandiose but glacial. As in the rest of Europe, the staircase in Britain
became a symbol of prestige and ritual, and in the British country house it
reflected and reinforced the owner’s social status, success or ambitions to
power.
Circle of
life
The Solomon R Guggenheim Museum in New York
was Frank Lloyd Wright’s final masterpiece, completed in 1959. The building’s
iconic quality derives from the spiralling ramp that surrounds the circular
atrium, celebrating the movement of visitors through the museum’s six floors
and unifying interior and exterior.
Onwards and
upwards
The innovative Pompidou Centre in Paris was
nicknamed the ‘gasworks’, and typified the fascination with technology of the
time. Opened in 1977, it was designed by Renzo Piano and Richard Rogers who, in
a grandiose theatrical gesture, strung stairways across the full width of the
main facade. A functional and geometric triumph, the main staircase stretched
across all six floors.
Source: BBC
No comments:
Post a Comment